Clear Space Theatre Company Fall 2015 |
Directed by David Button Sets by Eddy Seger Lighting by Ginger Angstadt and Brendan Smith |
To reduce weight, Seger made the illuminated pool two feet deep in part (to accommodate swimmers), the rest being only three inches. He reinforced the stage with four posts under the "deep" end. |
David Button asked Seger to develop a set that included a deck with a sandy beach, a working outdoor shower, a cedar-shingled beach house with a kitchen and two bedrooms featuring three doors opening onto the deck, and a real filled-with-water pool. Seger responded with the concept shown here. Eight-foot sliding doors on casters, a dissolving scrim wall that reveals a working kitchen (sink and refrigerator), a practical shower with all of the attendant plumbing, a dividing boardwalk with a five-by-sixteen-foot beach and an eight-by-nine double-lined pool created a convincing Fire Island beach residence. |
Original Drawing of the set. |
The boardwalk was divided to facilitate better beach access, with footlights hidden inside. |
The practical shower looks like it has hot and cold running water, but that's only an illusion. The theatre has no hot water. |
The twelve-by-thirty-two-foot wall was a screen-covered frame that allowed easy interior viewing through the painted shingles. |
Seger proffered that the original owner and builder in the story, a photographer, would have known about composition and the Golden Mean/Divine Proportion ( http://www.goldennumber.net/), hence the window over the kitchen. Most of the rectangles in the set are of the same proportion. |
Lighting from behind reveals the bedrooms and kitchen, dissolving the exterior wall. |
The Great Blue Heron presents a striking silhouette when back-lit. Delaware sculptor, Bobby Grimmet, carved this beautiful wooden piece of art. (Collection of the set designer.) |
Best Set Design 2015 |